independent film reviews



Archive for July, 2008

1,000 Journals - 2008

Thursday, July 24th, 2008

1000journals.jpg

Two months ago, I received a black journal. It was the project of a fifth grade class, and my task was to add my contributions and then pass it on in a week’s time. Although it was not a new idea to me, it was a lot of fun, despite the fact that this particular journal only made its rotation in the Seattle area.The film 1,000 Journals follows the project by Someguy, a San Francisco artist who one day decided to release 1,000 blank journals out into the world to see what happened to them. His journals, by contrast, ended up traversing the world.

I’m a huge fan of social experimentation and doing things to invoke the human reaction. This particular movie follows the route of the books as they make their way around the world and into the homes of random individuals. When I contributed to the journal I had in my hands, I couldn’t help but wonder what kind of people contributed which pieces. This film puts a bit of an explanation to the anonymity behind the project, and answers questions on a very basic level. It shows that people of all walks of life, of all ethnicities and social classes (although not all countries), found this project to be interesting and life-changing. But the most interesting part about the project were the reactions from people that no one could have ever anticipated.

For example, the book was in rotation when September 11th happened, and it documented the state of the United States at that point. It showed how initially people were sad and shocked — with many of them having personal ties to the event — and used the journal to vent their thoughts. It progressed as political issues, paranoia, and distrust of the government came into play, and all of this was shown in one cohesive mass.

Even more surprising, though, were how human beings played off of one another’s entries. A pair of artistically-inclined women in Australia decided that the thoughts of others weren’t worth keeping because they looked artistically deficient, and they pasted over those handwritten thoughts with more visually appealing images. Another artist, based in England, created his own pieces as “dedications” to individuals who had previously posted in the book. Many of his dedications were serious and heart-warming, but some of his other dedications were downright mean.

Despite these few cases of maliciousness, though, the project is an amazing one that has touched the lives of many individuals, and films like these are important, because they humanize an idea that, to those who didn’t contribute, is kind of just a cool thought. 1,000 Journals is an enjoyable film for any individual who is a fan of social experimentation and human interactions; I suggest you watch this film and then go out and engage in your own projects.

Donkey Punch - 2008

Wednesday, July 16th, 2008

I watched Donkey Punch on a whim (it was between that film and the French sci-fi flick, Chrysalis). Both films were up for midnight screenings, but I chose Donkey Punch. Given its lude title and classification as an erotic thriller, it seemed more appropriate and entertaining for the evening. I haven’t seen Chrysalis yet, but I think Donkey Punch was the right choice. It was surely a shocker; most movies chock full of boobies and promiscuous sex turn out to be B-rated throwaways, but Donkey Punch showed a level of creativity that showed a lot of thought beneath the nude exterior.

The movie started off a bit hoaky, with believable but cheesy dialogue and a bright, beachy color palette. It looked like an Abercrombie ad turned film, and it was slightly off-putting. But it was obviously on purpose. As the movie’s storyline progressed and became increasingly sinister, tragedy befalls one of the women, causing character after character to turn on one another due to conflicts of interest. They spiral downwards, and as they do, the color palette of the film changes.

It is obvious the staff of Donkey Punch knew what they were doing in terms of lighting; despite the fact that the latter half of the movie involved the characters stumbling around in the near dark, none of the plot was lost and the darkness was not crippling. It was in fact beneficial and helped contribute to the feeling that the seven characters — many of whom were strangers — were indeed alone on a yacht on an open sea, unable to trust or believe in one another.

Donkey Punch is a film that stuck in my mind for a long time after the movie. Its plot obviously required a lot of thought because of all its little nuances, and the film as a whole was very creative with its death scenes and its character manipulations. Don’t let the name turn you off. If you can find it, watch it (I wouldn’t try searching for it illegally, however, as you’re bound to find a lot of porn).

Eat Pes Because Pes Is The Man

Sunday, July 13th, 2008

Ever seen a human skateboard before? Spaghetti made out of Pick Up Stix? Just wanted to share an assortment of amazing videos by PES. Pes’ videos have been around for ages, but they’re always entertaining.

***

Western Spaghetti

***

Human Skateboard

Japan Cuts - Motomichi Nakamura’s Trailer

Thursday, July 3rd, 2008

Japan Cuts is in full swing in New York City, from now until July 13th! This must be the Japan-lover’s biggest orgasmic festival, with over 60 shorts and 18 full-length films. Here’s Motomichi’s trailer.

And hey, while we’re at it… here’s a video Motomichi did for Temposhark’s single, “Blame.”